Curtis Armstrong - Biography

Curtis Armstrong was conceived on November 27, 1953 in Detroit, Michigan, USA. He is a performer and maker, known for Risky Business (1983), Better Off Dead.(1985) and Revenge of the Nerds (1984). He has been hitched to Elaine Aronson since January 2, 1994. They have one youngster.

He is hitched to Elaine Aronson, second January 1994 till date, they are honored with a kid
He is a specialist on crafted by vocalist/lyricist Harry Nilsson.
Curtis Armstrong went to and moved on from Berkley High School in Berkley, Michigan (1972) and furthermore moved on from Oakland University in Rochester, Michigan.
Cases that subsequent to doing Revenge of the Nerds (1984), each day of his life somebody remembers him as Booger (in spite of the fact that he says this does not trouble him at all).
Schoolmates with artist Marshall Crenshaw. They both moved on from Berkley High School in Berkley, Michigan.
Has played a character nicknamed Booger in Revenge of the Nerds (1984) and a character named Snot on American Dad! (2005).
After secondary school, he tried out for, went to and moved on from the Academy of Dramatic Art (in Rochester, Michigan), which is likewise the place of graduation of Robert Englund, Richard Riehle and Jayne Houdyshell.
Has showed up as "that person" in the 1980s montage business for Progressive Insurance.
Best known for his popular line in Risky Business (1983): "Infrequently, you just gotta say, WTF!".
Best known by the general population for his part as organization sibling Booger in Revenge of the Nerds(1984).
Is an investitured individual from the Baker Street Irregulars, the abstract society devoted to Sherlock Holmes? In 2006, he was given the instatement "An Actor, and a Rare One", which had beforehand been the induction of Richard B. Shull.
Has one little girl: Lily Armstrong (conceived 1996).
Has English, Italian and Scottish lineage.

By Curtis Armstrong
I like individuals who attempt to do huge things.
I would center school in Berkley, and I didn't fit in by any stretch of the imagination. Like a great deal of children, I observed performance center to be a decent place for me.
I attempt to work and appreciate life, and that is about all.
As a performer I'm a piece of a long line of character individuals you can reclaim to the quiet motion pictures. There's dependably the little person who's the sidekick to the tall, attractive person who gets the young lady.
Without an arrangement, there's no assault. Without assault, no triumph.
I'm not an improv fellow. I'm not a geek, I play one on TV.
I'm in any event getting my foot in the entryway to the extent doing straight emotional parts, which nobody would have ever considered me for in the '80s. I never protested that since I cherish doing comic drama, and I'm not the sort of on-screen character that demands that unless you're doing a genuine sensational part, you're not acting.
I have a tendency to not by any means watch over changes when all is said in done. Principally they are loathsome.

The motion pictures that I did in the '80s were either great or terrible, however I never was mistreated with any inclination - I mean, I thought it was strange to play secondary school or understudies when I was 30. Yet, while, was extremely done at that point.
I'm a character performing artist yet dissimilar to a ton of character on-screen characters,To be completely forthright, I haven't seen a great deal of the present yield of youngster motion pictures in light of the fact that there's just so much time and nothing truly drives me to do it.
Once in a while, a man must be dead a while before individuals can acknowledge what they did when they were alive.
You can do net out until the point that the bovines get back home yet in the event that there isn't a comment it, at that point it won't work by any stretch of the imagination.
There's something about the method for playing an anti-agents character, that in the event that you can play him with a specific measure of appeal, you can escape with a great deal.
For a performer to have a part that they're perceived and associated with throughout the years, it's unordinary. It's extremely fortunate on the off chance that it happens once - and its fortunes that it's transpired several times.

On Risky Business (1983) it was an, extremely abnormal in light of the fact that I had prepared to be a phase performing artist, and that was my objective. My objective was not to make motion pictures or do TV. That wasn't on my plan by any means. The way that I was doing an off-Broadway play in New York and got some consideration, and individuals began sending me out for film tryouts. That is only something or other that happened. I expected, particularly since the ones I'd gone in on, I hadn't gotten, and this was simply an aspect of my responsibilities. I need to go in and read for these individuals, yet there was no idea of - thus when I got this part - in any case, obviously, Tom [Cruise] was all of 18, I think, at the time. I had no clue his identity. He'd done a couple of motion pictures, yet nothing I'd seen, thus to me, he was simply one more extremely aggressive, youthful performing artist who worked hard, and no motivation to think essentially until the point when I saw the film that he had fundamentally a tremendous vocation in front of him until the point that I saw the film and went, goodness, approve. I get that now. It was a decent ordeal, however I was cognizant consistently this was presumably the main time that I would do a film, so I kept a diary for the entire time I was on the motion picture bounteous diary, making takes note of consistently, not just about the motion picture but rather about what was happening outside the motion picture and all that and the distinctive characters, the general population I was working with, et cetera. I thought clearly on the grounds that I knew this was the main time anybody would procure me to do a film, so I needed to recall the experience.